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4K Ultra HD Review: Rob Cohen’s “The Fast And The Furious” — The High-Octane Classic That Launched A Billion-Dollar Franchise

Los Angeles police officer Brian O’Conner must decide where his loyalty really lies when he becomes enamored with the street racing world he has been sent undercover to destroy.

It’s hard to believe that the film that launched a billion-dollar franchise began as a straightforward action thriller about an undercover cop trying to infiltrate an underground street racing crew. While later films in the series delivered non-stop, high-stakes, over-the-top action and (literally) out-of-this-world escapist thrills, the inaugural entry was far more restrained.

The film follows LAPD officer Brian O’Conner (Paul Walker), who goes undercover as part of a joint LAPD-FBI task force to locate the street racing crew responsible for repeatedly hijacking semi-truck trailers and stealing their electronic goods. He knows the leader of the gang he is after is the charismatic but tough and fearless Dominic Toretto (Vin Diesel), so he begins to frequent Toretto’s Market & Cafe, where he intentionally meets Dom’s sister, Mia (Jordana Brewster), hoping that she might be a way in for him, but as their relationship deepens, it begins to complicate his mission.

He eventually gains Mia’s trust and, as a result, is gradually embraced by Dom’s circle. The two men have a shared passion for high-speed racing, but as they grow closer, Brian begins to doubt Dom and his crew. When Johnny Tran (Rick Yune), a Vietnamese gang leader and rival of Dom’s, comes into the picture, it is suggested that it may actually be his crew who are responsible for the hijackings, but it soon becomes apparent that it is Dom and his crew who are the perpetrators. When the time comes, Brian must make an agonizing decision: fulfill his duty as a cop, or protect Dom and his family.

When “The Fast and the Furious” was released in 2001, it was famously criticized as a thinly veiled clone of “Point Break,” with street-racing cars instead of surfboards. While that might be true, it’s the undeniable chemistry between its two lead protagonists, Vin Diesel and Paul Walker, that reigns supreme. The film perfectly captured the music, fashion, and tech of the early 2000s, and put the underground import scene, nitrous oxide (NOS), and quarter-mile drag racing into the mainstream. The earlier films relied on real, high-speed precision driving, while the later entries in the series relied on massive international heists, globe-trotting espionage, and physics-defying blockbuster spectacles.

While “The Fast and the Furious” was enjoyable, my two favorite films in the franchise so far are “Fast Five” and “Fast & Furious 6.” “Fast Five” pivoted from underground street racing to a grand heist movie framework, along with physics-defying action, specifically the iconic bank vault finale. I also loved “Fast & Furious 6” because it leaned fully into ridiculous, unrestrained action like the runway cargo plane sequence. While parts 7 through 10 were also enjoyable, each delivering its share of memorable set pieces, parts 5 and 6 are hard to beat.

With the last film of the series, “Fast Forever,” planned for a 2028 release, it will be interesting to see how they will tie up all loose ends while explaining the return of certain characters who were supposedly killed off in earlier entries (cough cough Gisele cough cough). There is no denying that with each entry in the franchise, the stakes rose exponentially, the budgets grew, and the action became even more outlandish. The “Fast & Furious” franchise has earned over $7.47 billion globally at the worldwide box office, so it has a built-in audience, making it all the more rewarding to revisit the humble origins of this phenomenon.

Now available on a Special 25th Anniversary 4K Ultra HD™

 

 

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James McDonald

Originally from Dublin, Ireland, James is a Movie Critic with 40 years of experience in the film industry as an Award-Winning Filmmaker. He is also a member of the Critics Choice Association, the Dallas-Fort Worth Film Critics Association, and the Online Film Critics Society.