The film chronicles Christy Martin’s rise to fame in the male-dominated world of professional boxing and the concurrent struggle against a violent and abusive relationship with her husband and trainer, Jim Martin.
Sydney Sweeney’s performance in “Christy” stands as compelling evidence that, when given the chance to move beyond lighter genres, an actor can effectively break free of typecasting and demonstrate their full range. Well-known for her roles in dramas, horror films, and romantic comedies, Sweeney achieves a level of transformation here reminiscent of Charlize Theron’s work in “Monster.” In “Christy,” she disappears into her role so completely that many viewers might not recognize her at all. To accurately embody Christy Martin, Sweeney reportedly underwent a significant physical transformation, gaining thirty pounds through rigorous weight training, increased caloric intake, and boxing drills. The result is a riveting, authentic performance that confirms her versatility and commitment as an actor.
Ben Foster is equally unrecognizable as Jim Martin, Christy’s abusive husband. Watching the film without any prior knowledge, it took a considerable amount of time to realize Foster was behind the character; his clean-shaven look and blonde combover are a stark departure from his usual appearance. Foster delivers a chilling portrayal of Jim Martin—a man who presents as a supportive husband and trainer in public, but is controlling and violent behind closed doors. Foster’s depiction is both terrifying and pitiable, capturing the insidious nature of psychological abuse. His control over Christy’s life is total, dictating her relationships, behavior, and even clothing choices. While viewers may hope for Christy to push back, the film illustrates the paralyzing effects of psychological manipulation, which can be more damaging than physical harm.
The narrative follows Christy from her early years in Mullens, West Virginia, through her and Jim’s move to Florida, where they open a gym together. The film vividly details her growth as a boxer—initially motivated by financial need but eventually driven by her passion for the sport. When she meets Jim, he recognizes qualities in her that many of his male athletes lack: grit, determination, and resilience. As Christy’s career takes off—culminating in high-profile fights and representation by Don King (Chad L. Coleman)—her confidence grows, sometimes tipping into arrogance. She remains a dominant force in the ring for years, but her loss to Laila Ali in a landmark bout forces her to reevaluate her life and career. As her personal struggles with Jim intensify, those close to her begin to notice troubling changes, though Christy insists she is fine and refuses their help.
Jim’s promises of a comeback eventually unravel, and when Christy learns the truth, she confronts him, setting in motion a dramatic turning point. The toxic nature of their relationship becomes undeniable. Jim discovers Christy’s sexuality and uses this knowledge to threaten and manipulate her, leaving her fearful of rejection from her family, friends, and the boxing world. As his violence escalates, Christy reaches her breaking point. The situation culminates in a brutal attack, during which Jim stabs her repeatedly and shoots her in the chest. Remarkably, Christy survives the attack, escapes, and reaches the hospital. Jim is subsequently arrested and sentenced to 25 years in prison, while Christy endures a lengthy recovery and ultimately returns to the gym, supported by her loved ones.
“Christy” stands out as one of the year’s most powerful films. Co-writer and director David Michôd crafts a story brimming with emotional depth and outstanding performances, approaching Christy Martin’s life with both sensitivity and courage. Ben Foster’s portrayal of Jim is genuinely unsettling, while Sydney Sweeney inspires deep empathy—not only for the abuse her character suffers but also for the broader struggles faced by women in boxing. The film is a testament to the resilience of its protagonist and the transformative power of great acting.
In Theaters Friday, November 7th
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