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“Decoy” Makes Its Way To DVD May 30

“Decoy” (1957-1958) was not only the first series in the history of American television to explore the life of a New York City policewoman, it was also the first series to feature an actress as the star protagonist in a full-season, dramatic series.

The series follows Detective Casey Jones, played by the talented Beverly Garland (“My Three Sons,” “Swamp Woman,” “Airport 1975”), as she walks the streets of New York City, solving a new case each week.

Case narratives were based on experiences told to Garland by the show’s technical director, Margaret Leonard, a former NYPD detective herself. The significance of her role was at a time when the “female detective” had virtually disappeared from film and created a strong new archetype that would set the standard for years to come.

“Decoy” was filmed on location throughout the stunning backdrop of 1950s New York City, with sweeping shots of the Manhattan Bridge, Beat-era Greenwich Village, Penn Station and many other iconic NYC landmarks. In addition to its on-location shots, Decoy was unique for its time due to a documentary style of shooting; beautifully framed, noir shots; and an extremely brave approach to its gritty subject matter, with performances influenced by the method school.

Includes appearances by such iconic stars as Ed Asner (“Mary Tyler Moore”), Peter Falk (“Columbo,” “A Woman Under the Influence,” “Naked City”), John Cassavetes (“Rosemary’s Baby,” “Opening Night”), Suzanne Pleshette (“Alfred Hitchcock’s The Birds,” “The Bob Newhart Show”), Al Lewis (“The Munsters,” “They Shoot Horses Don’t They”), Larry Hagman (“Dallas,” “I Dream of Jeannie”) and Albert Dekker (“The Wild Bunch,” “The Sound and the Fury”).

Available from Film Chest Media Group on a Special 3-DVD Collector’s Set May 30th

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James McDonald

Originally from Dublin, Ireland, James is a Movie Critic with 40 years of experience in the film industry as an Award-Winning Filmmaker. He is also a member of the Critics Choice Association and the Dallas-Fort Worth Film Critics Association.