Movie Reviews

Movie Review: “The Winter Lake” Is An Unconventional Teenage Coming-Of-Age Film


 

When Holly’s dark secret is accidentally uncovered by her new emotionally unstable neighbor Tom, they are pulled into a violent confrontation with her father, who will do anything to keep the secret hidden.

Described as a “horror-thriller”, “The Winter Lake” doesn’t actually make it into either of those categories. The setting is the most godforsaken remote area of Northern Ireland for sure, but the “thriller” part of the film is far too slow in coming to the fore. Anson Boone is quite fine as painfully introverted teen Tom, whose hobby consists of collecting skeletons of animals he finds on the remote property once belonging to his great-grandfather. He and his mother have apparently been consigned there after some vague problem in their past has left them with no place to live but this sparse old farmhouse. Boone is about as introverted as a teen can get, with few words during the entire film, but he manages his character bravely with looks, glances, scowls, and visage so white he seems to have missed a good many healthy meals and/or enough sleep in a long time.

Charlie Murphy is also quite good as his mother but the age difference between them (their neighbor asks him “What was she, twelve, when she had you?”) creates questions never answered. However, she is convincing as a really young mother struggling with a role that doesn’t come easily. Age differences seem to crop up all around as the (supposedly) teenage girl on the neighboring property seems old enough to be the real mother. Perhaps that is an aspect of her makeup and seeming sophistication paired with the boy. Emma Mackey is the girl and she is the weakest of the ensemble in terms of defining character, maybe due to that speed bump. She’s beautiful and seductive and ultimately conniving but all is just a bit too slick and obvious and way too old for her years.

Michael McElhatton (“Game of Thrones”) rounds out the quartet of horror. He is easy and engaging in the beginning and skillful as his character begins to harden to terror. Just takes a long time to get there. I would say this is my biggest complaint about the film. The platform is okay and should have been able to delve and develop more initially to quicken the delicate slide into terror at the finale. There are just too many empty spaces where nothing is moving the story along and the “horror thriller” tag loses out. Actors 5, story 1.

 

Now playing in Select Theaters and On-Demand and available on DVD March 23rd

 

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Mildred Austin

I can remember being a girl fascinated by the original CINDERELLA and trying to understand that the characters weren’t REAL?? But how was that possible? Because my mom was a cinema lover, she often took me with her instead of leaving me with a babysitter. I was so young in my first film experiences, I would stare at that BIG screen and wonder “what were those people up there saying?” And then as a slightly older girl watching Margaret O’Brien in THE RED SHOES, I dreamed of being a ballerina. Later, in a theatre with my mom and aunt watching WUTHERING HEIGHTS, I found myself sobbing along with the two of them as Katherine and Heathcliff were separated forever. I have always loved film. In college in the ’60s, the Granada in Dallas became our “go-to” art theater where we soaked up 8 ½, THROUGH A GLASS DARKLY, WILD STRAWBERRIES and every other Bergman film to play there. Although my training is in theatre and I have acted and directed in Repertory Theatre, college and community theatre, I am always drawn back to the films.

I live in Garland and after being retired for 18 years, I have gone back to work in an elementary school library. I am currently serving as an Associate Critic for John Garcia’s THE COLUMN, an online theatre magazine and I see and review local community theatre shows for that outlet. I’m excited to have the opportunity to extend my experiences now to film and review for IRISH FILM CRITIC. See you at the movies - my preferred seat is back row!