Edo era, Japan. Kiyoha rises from the lowly courtesan ranks to the high-class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleases.
The directorial debut of Mika Ninagawa, “Sakuran,” isn’t your typical Edo-era period drama. It follows the rebellious Kiyoha (Anna Tsuchiya), who is sold to a brothel in Edo’s red-light district, Yoshiwara, as she ascends from attendant to Oiran. The production is filled with bold, oversaturated colors that pop off the screen, with rock music accompanying the imagery.
Simply put, “Sakuran” is visually mesmerizing. Ninagawa’s visuals reminded me of Dario Argento’s over-the-top color palette in his 1977 film “Suspiria.” Ninagawa, who comes from a background in photography and fashion, uses color, as Argento does, to guide the viewer through her narrative. Her focus isn’t on creating an authentic glimpse into the time period but on using the aesthetic to evoke an emotional reaction from her audience. The imagery, paired with Tsuchiya’s fierce performance, is truly captivating.
There’s a frequent motif of goldfish throughout the movie, mirroring the courtesans themselves. Goldfish are associated with beauty in Japan, existing largely to be admired. They are also confined, much like the women. While the goldfish are kept in a bowl or tank, the courtesans are trapped in their brothels within the red-light district (Kiyoha is often seen through bars like a cell). It’s an effective metaphor, although a tad overused by the end of the film.
Like the goldfish motif, the film itself begins to lose some steam as it wraps up. While it isn’t enough to mar the film’s overall effect, it does conclude with less punch than the beginning.
For this limited-edition Blu-ray release, no information is provided about the film’s transfer. I found it to be something of a mixed bag. Close-ups look nicely detailed, but long shots often look odd. Shot in the mid-2000s, I wonder how much digital manipulation was done on this film. Accompanying the film are options for 5.1 and stereo soundtracks. I decided to watch it in 5.1 and found it immersive. The front soundstage was clear, and the rear speakers were used effectively for atmospheric effect.
Extras include an audio commentary by Josh Slater-Williams, an introduction by Amber T., a stills gallery, and multiple trailers. Amber T.’s introduction has some spoilers. She gives an excellent overview of the time period, Ninagawa, Tsuchiya, and the film itself, although it’s best viewed after the film. The limited edition comes with a numbered obi strip, reversible artwork, and a booklet with writing by Jasper Sharp. Sharp focuses on the history of the Yoshiwara district in his essay.
While the film’s conclusion is underwhelming, “Sakuran” is a fantastic period piece. 88 Films delivers a serviceable transfer with some enlightening extras. Ninagawa is a director I had not heard of before viewing this film. I will definitely be seeking out more of her work.
Available on a Limited Edition Blu-ray™ from 88 FILMS March 24th
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