“Daiei Gothic Vol 2: Japanese Ghost Stories” features three classic tales from the Daiei studio: “The Demon of Mount Oe,” a warriors’ quest to slay a powerful demon that turns out to be more human than it seems; “The Haunted Castle,” where the vengeful spirit of a black cat (bakeneko) takes revenge on a cruel samurai lord; and “The Ghost of Kasane Swamp,” a multi-generational tale of a curse originating from a samurai’s betrayal and murder of his wife and a money lender.
Radiance Films offers up a trio of supernatural tales in their new box set “Daiei Gothic Volume 2.” Although two of these films are directed by Tokuzo Tanaka, each movie carries its own distinct flavor, giving viewers three very different takes on Japanese gothic cinema.
First up is Tanaka’s 1960 feature “Demon of Mount Oe.” Like many of the other Japanese titles I’ve reviewed for Radiance, this one’s pace is dense, introducing a large cast and shifting between several styles over its two-hour runtime. Unfortunately, that density works against the film. The story is frequently confusing, often resembling a disjointed series of episodes rather than a coherent narrative. What Tanaka does bring is style: the imagery pops off the screen, foreseeing the colorful gothic sensibilities that Mario Bava and Dario Argento would soon become known for. Sadly, the script doesn’t match the visual energy, flipping from monster battles to palace intrigue to romantic subplots without cohesion.
The transfer itself is pleasing, offering a vibrant and organic appearance. The film’s prologue and credits sequence are exceptions. The effects-heavy nature of the prologue shows strain, while a swarm of vertical lines mars the credits. Audio is also imperfect, with a constant background hiss and static, which fades in action sequences but becomes more pronounced in quieter moments.
Supplemental material on this disc includes an interview with Taichi Kasuga, a visual essay by Tom Mes, and the film’s trailer. Kasuga’s interview is the standout, helping to clarify the film’s confusing narrative.
The second feature, and my personal favorite in the set, is Tanaka’s 1969 film “The Haunted Castle.” Easily the creepiest of the three films, it centers on a woman who kills herself after being forced to become a lord’s concubine. Her vengeful spirit possesses the family cat and women in the household, wreaking havoc within the castle walls. The film delivers some spectacular imagery, with Tanaka again showing off his flair for visuals, while the script moves at a brisk pace, keeping the audience engaged. This story anticipates themes later explored in J-horror films, such as “Ju-On.”
“The Haunted Castle” is given an excellent transfer. I noticed no anomalies or distractions in either image or sound.
Extras include an interview with Mari Asato, a visual essay by Tom Mes, and the film’s trailer. Mes’s essay gives background on Daiei actress Ikuko Mori, while Asato offers thoughtful commentary on the film and the bakeneko (ghost cat) genre. Her interview is particularly insightful, shedding light on a sub-genre I didn’t know existed before watching this disc.
The final feature is Kimiyoshi Yasuda’s 1970 film “Ghost of Kasane Swamp.” One of many adaptations of this tale, Yasuda’s version leans more toward melodrama than ghost story, focusing on greed and betrayal among the characters rather than on supernatural aspects. Ghostly apparitions appear throughout, but most of the paranormal elements are saved for the film’s finale, which is staged more for dramatic impact than outright terror. Yasuda gives the film a noirish tone. While the title sets up different expectations, I found myself enjoying this twisty narrative. Despite its density, the events are laid out clearly, keeping the viewers on target.
“Ghost of Kasane Swamp” also receives a strong transfer. Like “The Haunted Castle,” there are no noticeable anomalies or distractions. The colors aren’t as vibrant as modern productions, but the presentation feels faithful to the time period. I especially like the paint-like quality of the blood, which lends the film a surreal, theatrical feel.
Like the other two discs, this one comes with an interview (this time with Norio Tsuruta), a visual essay (by Zack Davisson), and the film’s trailer. Additionally, there is a select-scene commentary by Lindsay Nelson. Nelson’s track is engaging, situating this film within the broader context of J-horror while providing further analysis of its themes. Tsuruta’s interview gives insight into Daiei Studios’ output during the time period and touches on possible influences behind this adaptation. Davisson’s essay delves in-depth into the legacy of Japanese ghost stories, providing cultural context.
Rounding out the set is a booklet featuring new writing by Amber T., Jasper Sharp, and Tom Mes. It also includes English translations by F. Hadland Davis of two stories, along with a 2001 essay by Daniel O’Neill on Encho Sanyutei. These writings offer a historical perspective and critical depth, making them a worthwhile companion to the films.
Altogether, “Daiei Gothic Volume 2” is a commendable set. It features films that showcase distinct takes on Japanese gothic cinema — from overstuffed spectacle to ghost-cat horror to noir-tinged melodrama — and each is presented with strong transfers. The numerous supplements help to contextualize the movies, offering a deeper appreciation of the works. For fans of Japanese cinema and horror enthusiasts alike, this collection is recommended.
Available on a Limited Edition Blu-ray™ Box Set October 14th from RADIANCE FILMS
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