When Ashley asks for a divorce, the good-natured Carey runs to his friends, Julie and Paul, for support. Their secret to happiness is an open marriage — until Carey crosses the line and throws all their relationships into chaos.
In “Splitsville,” a long-term couple decides to take a break and see other people before making a lifelong commitment, convinced that a little distance might offer clarity. What follows is a whirlwind of awkward encounters, misplaced confidence, and emotional growing pains as both partners realize that figuring out what you want often means getting lost in what you don’t.
“Splitsville” opens with sharp comedic energy, fast, funny, and full of punchy writing that actually earns its laughs. I found myself in tears a few times, the kind of uncontrollable laughter that sneaks up on you and lingers for twenty seconds straight. The first half is genuinely spectacular, balancing chaos and charm while exploring that all-too-relatable impulse to second-guess the person you already know you want to be with.
The film taps into the messy, unplanned complexity of relationships, how we sometimes feel the need to explore our options before realizing we were already in the right place. Not every dynamic works perfectly, but there is an honesty to its emotional rhythm that I really admired. The adults’ interactions with their young son stand out in particular. Those moments of mutual growth give the story an emotional backbone that elevates it beyond a surface-level relationship comedy.
Visually, “Splitsville” feels warm and inviting. It has that soft, cozy texture that makes every frame glow like a late summer afternoon. The cinematography carries an intimacy that feels both natural and comforting, and I actually found myself wondering what camera they used because it looks so distinct. There is even a seamless multi-day sequence that compresses time in a single continuous shot, and it is executed beautifully.
If the first half soars, the second half drags a bit. Once the film’s message clicks about two-thirds of the way through, it begins to feel like padding, and the jokes lose some of their earlier snap. Still, the energy never fully dies, and several unfamiliar faces shine brighter than some of the recognizable ones.
Ultimately, “Splitsville” works best as a heartfelt, funny, and slightly chaotic mirror for modern relationships. It is imperfect but honest, with just enough warmth and wit to leave you smiling.
The film reminds us that love isn’t about finding perfection but learning how to stay when things get messy, because that’s where the real connection begins.
Available on Blu-ray and DVD November 18th
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